Thank you Gio for sharing these valuable thoughts…
I remember a dear friend of mine expressing his anger towards Ennio Morricone: ”I don’t understand why he always tells us when and how to feel. There is no free interpretation of the content, and the emotions are induced and manufactured”. I could understand his perspective, and I can also appreciate the kind of realist cinema he personally cherishes. What I could not understand is why be mad at one of the most powerful ‘formalist’ forces (to use a word dear to him) available in the filmmakers toolset?
In a way, I then knew I was not the only person having felt tricked and betrayed by the power of music, feeling strong emotions towards a narrative and visual content that would probably have left me indifferent if it was not for the score. Years ago, this obsession for music in film, and the filmmaking process,
View original post 414 more words